These may not be the licks your bandmates will want you pulling out on the next gig without prior consultation. But nothing will make you feel more like Vinne Colaiuta than locking into some of these polyrhythm exercises.
Harrison looks at drumming in terms of "dimensions" and his goal is to get you to play four different polyrhythmic groupings at the same time. As he states in his introduction, it's not a chops-oriented approach as much as one that can open up creative options for drummers in musical ways. His method starts with ostinato patterns on the kick, adding each limb playing different polyrhythms over the top. Helping with this advanced technique are "tool boxes" at the beginning of some chapters, patterns to prime you for what's to come. Gavin's crash course of polyrhythmic theory is a long lesson in itself, as he subdivides measures of 3/4, 4/4, 5/4, and 7/4 by threes, fours, fives, and sevens. This is deep stuff, but it can be taken in slowly, enjoyed, and integrated as it makes musical sense to you.
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